Sixteen linoleographies enter the catalogue: formats, print runs and prices.
The new matrices range from the small size of the Fragments up to 70 × 50 cm of Condottiera and Iustitia. Each subject comes out in a limited edition, signed in pencil.
Prints remain the most direct way to enter the work: the same language as paintings, another scale of commitment.
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There are forms that seem to belong to an ancient memory, capable of evoking a sense of order and harmony that goes beyond their simple visual structure.
From the drawing to the matrix, from the gouge to the printing: what really happens between the idea and the sheet.
Why do the faces remain partially covered, and what does the gold leaf have to do with silence?